The Beatles - Hey Jude

19-06-2017 5 min #130277

C'était avant 68.

Nous étions loin d'imaginer que le monde allait pareillement sombrer.

C'était la fin des années 70.

Nous revenions d'Asie du Sud-Est. Nous étions totalement désorientés.

Comment le monde que nous avions connu avait-il pu si brutalement changer ?

Nos amis gauchistes nous prenaient pour des idiots. Nous n'avions pas encore lu - et pas envie de lire - «La Barbarie à visage humain» de Bernard-Henri Lévy; et La Cuisinière et le mangeur d'hommes, d'André Glucksmann...

Vous connaissez la suite... [S. Cattori]

The Beatles - Hey Jude

Hey Jude topped the charts in Britain for two weeks and for 9 weeks in America, where it became The Beatles longest-running No.1 in the US singles chart as well as the single with the longest running time.

The Beatles did not record their promotional film until Hey Jude had been on sale in America for a week. They returned to Twickenham Film Studio, using director Michael Lindsay-Hogg who had worked with them on Paperback Writer and Rain. Earlier still, Lindsay-Hogg had directed episodes of Ready Steady Go! And a few months after the film for Hey Jude he made The Rolling Stones Rock and Roll Circus TV special that featured John and Yoko but wouldn't be shown until 1996

To help with the filming an audience of around 300 local people, as well as some of the fans that gathered regularly outside Abbey Road Studios were brought in for the song's finale. Their presence had an unlikely upside for The Beatles in their long-running saga with the Musicians' Union in that the MU were fooled into believing the band were playing live, when in fact they were miming for the vast majority of the song. Paul, however, sang live throughout the song.

The video was first broadcast on David Frost's Frost On Sunday show, four days after it was filmed. At that point transmission was in black and white although the promo was originally shot in colour. It was first aired in America a month later on 6 October 1968, on The Smotheres Brothers Comedy Hour.

Pour les puristes: l'interprétation de Wilson Pickett / Duane Allman

Before there was The Allman Brothers Band, Duane Allman was trying to attract any kind of attention and make a name for himself. The music business is hard you know. Though immortalized now as one of the greatest guitarist of all time, it was Gregg who was more sought out in the record business in the early days. So Duane made ends meet by being a session guitarist in studios while he decided what his next move would be.

It was in November of 1968, when Wilson Pickett - already a star - showed up at Rick Halls Fame Studio in Muscle Shoals, AL wanting to record, but with no material or ideas. Duane, who was working for Rick but was not even the main, lead session guitarist, suggested that they cut « Hey Jude », which Rick thought was « the most preposterous thing » he had ever heard and Wilson agreed they would NOT do it. The Beatles had just recently released it and it was climbing the charts. But Duane somehow convinced them both it was a good idea because it « was » a Beatles song and it « would » be Number 1. And, as you hear, it was a GREAT idea. This song sparked the beginning of Duane's future nickname and the formation of ABB.

The story goes that Duane was already known as « Dog » because of his looks. As you might imagine, the hippie look that Duane sported was few and far between in late 1960's Alabama. When Wilson heard the way Duane played he started calling him « Sky Man ». Not just for his « out of this world » playing but also for his « out of this world » state of mind he liked being in (recreational activities for those who still don't get it). From there the name somewhere morphed into « Skydog ». Rick Hall was also so amazed that he phoned Jerry Wexler and put the phone up to the speakers on the playback so he could hear the song. Needless to say, he was also blown away by Duane's playing. And in Wilson's defense of this DA story, his vocals in this song are what they are in all his songs - AWESOME.

Jerry Wexler was Wilson's main producer for Atlantic who wasn't able to be there and gave the reins to Hall. Wexler, along with Phil Walden, later in '69, started Capricorn Records in Macon, GA and we all know that story. Also, Phil Walden is also the man who introduced and brought in Jaimoe to play with Duane. They started jamming together before any of the other Brothers joined in.

Well anyway - this is for your listening pleasure and hope you enjoy it. If you want to know more of this story, I highly recommend pp. 80-88 of « Skydog: The Duane Allman Story » by Randy Poe. It is where this info came from and it is the best book ever if you are a Duane and/or ABB fan. And the Muscle Shoals Rhythm Section...thank helped change the world and the music for the better.

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